Our Approach
The logo says it before any of the words do: a centuries-old woodcut, broken open by hand-painted color and the loud, layered mark-making of street art. That collision is the whole philosophy in one image. A classic survives because the work itself is extraordinary — and because every generation that's read it has scrawled something new in the margins. The text is the woodcut. You're the color.
Most approaches to "the classics" do one of two things: keep the work on a pedestal, where you're allowed to admire it but not touch it, or sand it down into something so simplified there's nothing left worth arguing about. Hurly Burly Education does neither. The goal of a session isn't to protect a text from you — it's to get you far enough inside it that you're equipped to talk back to it.
That looks different depending on where someone is starting:
Sometimes it's foundational — learning to read, full stop.
Sometimes it's building the close-reading and critical-thinking skills to find your own evidence in a text that used to feel locked.
Sometimes the work is further along than that: a thoughtful, low-stakes sounding board for someone who already has ideas and just wants room to think out loud.
Different starting points, same trajectory: find your way in, then find your own way to leave a mark.
Mission
Hurly Burly Education helps people build confidence and pursue their personal and professional education goals through thoughtful, personalized solutions.
Vision
Imagine learning without velvet ropes.
Great books, big ideas, strong communication skills, and meaningful learning should not feel reserved for “naturally gifted” people or insiders who already know the rules. We want more students, educators, artists, and curious humans to feel confident asking questions, trying things out, and engaging deeply without feeling judged, left behind, or talked down to.
In short: personalized learning, more open doors.
Values
Learning, in infinite variety
No two learners are the same. Some people talk it out, some need structure, some learn by doing, some need time. Sessions are built around the person in front of me, not a generic curriculum. We adapt the process to fit the person.
Rigorous, not reverent
We take ideas, texts, and craft seriously. We just don’t believe “classics” belong on a pedestal or that they are beyond satire.
Understanding through practice
Learning sticks when you use it authentically and organically. Reading out loud, discussion, rehearsal, revision, writing, questioning, trying again—it all counts.
Clarity without condescension
Difficult material stays difficult. We just make it navigable.
our Story
What’s in a Name?
The phrase "hurly burly" comes straight from the witches' opening line in Shakespeare's Macbeth. It’s a fitting introduction to our brand: a signal that we take our subject matter seriously, but we always keep a sense of humor about big, dark, and complex material.
The Origin: A Podcast and a Purpose
The true inklings of Hurly Burly Education began in the fall of 2017, when co-founders Aubrey Whitlock and Dr. Jess Hamlet launched a podcast called The Hurly Burly Shakespeare Show! Every week, they (usually) tackled a different play by Shakespeare or his early modern contemporaries, often bringing guest experts into the discussion as well. But they didn't just summarize the plots—they satirized them, played games, explored their production history, and connected these 400-year-old texts to contemporary academia and public scholarship.
To make the material accessible to everyone, the podcast was structured into different “depths” of study: "101" level episodes for those brand new to a play, followed by "201" or "301" episodes where the conversations got more specific and spicy. (If those numbers look familiar, it is because they directly inspired the 101, 201, and 301 levels of our current tutoring membership tiers!).
From Public Scholarship to Personalized Education
After six seasons, over 100 episodes, and tens of thousands of downloads, Aubrey and Jess put the podcast to bed in 2023. However, that unique blend of authentic academic scholarship and tongue-in-cheek playfulness had built a powerful foundation.
When Aubrey—a veteran educator, actor, and Shakespeare scholar with nearly 20 years of experience—launched her independent tutoring and consulting practice, building it on the Hurly Burly brand was the only thing that made sense. It perfectly captures who she is as an educator: someone who adores Shakespeare and the classics so much that she can't help but interrogate and poke fun at them at the same time.
Today, when we promise "no pedestals," we are harkening directly back to our roots as purveyors of public scholarship. Hurly Burly Education exists to help you engage deeply with language, literature, and performance. We take the work seriously, except when we don’t.
Hello!
My name is Aubrey. You might already know me as the co-creator and co-host of The Hurly Burly Shakespeare Show! Podcast. What you may not know is that I am a language arts educator, Shakespeare scholar, and theatre practitioner with 20 years of teaching and tutoring experience. I hold graduate degrees in Shakespeare & Performance and in Teaching, as well as active teaching licenses in both California and Virginia, and I have worked across K–12 classrooms, higher education, nonprofit education programs, and professional development settings.
My work blends literary study, pedagogy, and performance practice, with a focus on clarity, accessibility, and serious engagement without gatekeeping. I specialize in helping students, educators, and artists make sense of complex language and ideas in ways that are engaging, humane, and authentic. Being so heavily interdisciplinary also means that I dabble in education-adjacent arenas too, like career coaching (teachers only), editing and ghostwriting, dramaturgy, and voice acting, to name a few.
I love helping learners of all ages read better, write better, and think more critically, while having a lot of fun along the way. I don’t think “rigor” and “fun” are mutually exclusive terms, and I certainly don’t believe there’s anything someone “can’t” learn. We just haven’t found your way in yet, and one of my favorite things in the world is helping you find it.
Let’s connect and begin that journey together!
Read My Resume
-
Post-Graduate Professional License (ELA) — Virginia Department of Education (exp. 2030)
Clear Single-Subject Teaching Credential (ELA/Performing Arts) — California Commission on Teacher Credentialing (exp. 2030)
Mary Baldwin University — Staunton, VA
MFA, Shakespeare & Performance, 2016
Thesis: Head, Shoulders, Knees, and Butts: Puppeting a Small-Scale As You Like ItMary Baldwin University — Staunton, VA
MLitt, Shakespeare & Performance, 2015
Thesis: Shakespeare of the Oppressed: A Transcultural Product of Hamlet and Augusto Boal’s Joker SystemChapman University — Orange, CA
MA, Teaching, 2009
Thesis: Exploring the Role of Drama Games in English Language DevelopmentUniversity of California, Santa Cruz — Santa Cruz, CA BA, Theatre Arts, 2005
-
Independent Education Consultant and Academic Tutor, Hurly Burly Education LLC, 2025-present
Long-Term Substitute Teacher (6th Grade English), Shelburne Middle School, Staunton, VA, 2026
Guest Lecturer, Shakespeare & Performance Program, Mary Baldwin University, Staunton, VA, 2023-present
Director of Education Programs, American Shakespeare Center, Staunton, VA, 2021–2025
Education Associate & Camp Life Coordinator, American Shakespeare Center, Staunton, VA, 2018–2021
Long-Term Substitute Teacher (6th Grade English), Kate Collins Middle School, Waynesboro, VA, 2020–2021
Teaching Artist, So Wise So Young Program, Livermore Shakespeare Festival (now SPARC), Livermore, CA, 2017–2018
Lead Teaching Artist, Sweet Wag Shakespeare Company, CA & VA, 2015–2016
Graduate Teaching Fellow, Mary Baldwin University, Theatre Arts and Communication Departments, Staunton, VA, 2015–2016
Guest Lecturer, Mary Baldwin University, Staunton, VA, 2015, 2016
English and Drama Teacher, Waterford High School, Waterford, CA, 2011–2013
English, AVID, and Drama Teacher, Ánimo Locke Launch to College Academy (Green Dot Public Schools), Los Angeles, CA, 2008–2011
English and AVID Teacher, Locke Senior High School, Los Angeles Unified School District, Los Angeles, CA, 2007–2008
AVID Tutor, Palos Verdes High School, Rancho Palos Verdes, CA, 2007
AVID Tutor, Locke Senior High School, Los Angeles, CA, 2006–2007 -
Directing
Cat on a Hot Tin Roof; The Comedy of Errors; Twelve Angry Men; A Midsummer Night’s Dream; A Family Reunion to Die For; Much Ado About Nothing
Acting
As You Like It (Orlando/Duke Senior/Phoebe/Audrey/Touchstone/Hymen/Dennis/Lord/musician); The Winter’s Tale (Mopsa/Officer); Measure for Measure (Lucio/Froth); A Woman Killed with Kindness (Wendoll); 1 Henry IV (Falstaff/Sheriff); Hamletmachine (Gertrude)
Dramaturgy / Production
Dramaturg: All’s Well That Ends Well; A Midsummer Night’s Dream
Stage Manager: A Midsummer Night’s Dream; The Insatiate Countess
Costume & Props Design: 1 Henry IV; As You Like It; Cymbeline
-
Whitlock, A. (2020). “Quarantine Got You Down? Time to Clown.” American Shakespeare Center Education Blog.
Whitlock, A. (2019). “On Making an Entrance.” American Shakespeare Center Education Blog.
Whitlock, A. (2019). “Ethos, Pathos, Logos (of a Queen): Hermione’s Trial Speech Through a #MeToo Lens.” American Shakespeare Center Education Blog.
Whitlock, A. (2019). “A ‘Body-Positive’ Falstaff for the 21st Century? It’s a Choice.” American Shakespeare Center Education Blog.
Hamlet, J., & Whitlock, A. (Hosts). (2017–2023). The Hurly Burly Shakespeare Show! [Podcast]. www.hurlyburlyshakespeareshow.com
Whitlock, A. A. (2016). “How the World Wags.” Sweet Wag Shakespeare Thesis Anthology.